Philosophy of Modern Music
Language: en
Pages: 200
Authors: Theodor W. Adorno
Categories: Philosophy
Type: BOOK - Published: 2020-09-17 - Publisher: Bloomsbury Publishing

In this classic work of music theory Adorno critiques two major composers, Arnold Schoenberg and Igor Stravinsky, who he presents as dialectically opposed to one another in terms of their musical styles, techniques and directions. Adorno's readings, especially of Schoenberg, continue to cause controversy and disagreement among musicians, music lovers and philosophers today. As always with Adorno, a wide range of social cultural, philosophical and political questions are raised in the process of his critique making the reader see the form and function of music in startling new ways. The book also covers other renowned composers including Wagner, Bach and Mozart. This is landmark work of philosophy that has shaped the way we think about music today.
On Mahler and Britten
Language: en
Pages: 355
Authors: Philip Reed
Categories: Music
Type: BOOK - Published: 1998-05 - Publisher: Boydell & Brewer

Critical essays and studies reflecting the latest thinking on two major figures in 20c music.
Historical Dictionary of Modern and Contemporary Classical Music
Language: en
Pages: 546
Authors: Nicole V. Gagné
Categories: Music
Type: BOOK - Published: 2019-07-17 - Publisher: Rowman & Littlefield

This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music.
Gustav Mahler
Language: en
Pages: 338
Authors: Donald Mitchell
Categories: Music
Type: BOOK - Published: 1980-01-01 - Publisher: Univ of California Press

Available again for a new generation of Mahlerians, Donald Mitchell's famous study of the composer's early life and music, revised and updated in 1980, includes a new introduction by the author, and supplementary addenda, which bring this classic work once again to the forefront of Mahler studies. Tracing Mahler's life from his birth in Bohemia, then part of the mighty Austro-Hungarian empire, to his early works (many now lost) Gustav Mabler: The Early Years forms an indispensable prelude to the period during which the cycle of great symphonies was to evolve. The conflicts which came to mark Mahler's music and personality had their beginnings in his childhood and youth. Without understanding the territorial, social and familial conflicts of this time one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years. Book jacket.
The Language of Modern Music
Language: en
Pages: 185
Authors: Donald Mitchell
Categories: Music
Type: BOOK - Published: 1993 - Publisher:

Books about The Language of Modern Music
One Hundred Years of Music
Language: en
Pages: 320
Authors: Gerald Abraham
Categories: History
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

One Hundred Years of Music provides a full account of the history of music from the death of Beethoven to the modern era. It covers a period of exceptional interest. The last hundred years coincide roughly with the rise and decline of Romanticism, include the various nationalist movements, and extend to the advent of "neo-classicism," the twelve-tone system, and still more modern techniques. Abraham devotes ample space to modernist and avant garde music, in which he explains the difficulties we experience in listening to the work of such composers as Schnberg, Bart k, and Berg. He also throws new light on many more familiar topics.In its earlier editions, One Hundred Years of Music became a standard work on this subject; it has since been brought updated to include coverage of later developments. Abraham approaches his subject as an historian of style rather than an esthetic critic. Rather than pass judgment on particular works or composers, he shows how music has developed, and thus provides a clear and connected history that is more substantial than most books of musical appreciation. An extensive chronology and a full bibliography and index add to the usefulness of the book for students, professionals and musical laymen alike.This third edition incorporates some corrections of fact, further enlarges the bibliography and chronology, and adds commentary on developments in music techniques. In order to correct the historical perspective, the author has included a "prelude" and three "interludes," giving rough sketches of general conditions in the musical world at intervals of thirty years. As the reader's sense of chronology is very apt to get confused when a number of simultaneous streams of development have to be described, the author has inserted the date of composition or performance (both if they are widely separated) of each work at the first mention of it.
The Cambridge History of Twentieth-Century Music
Language: en
Pages: 818
Authors: John Butt, Professional Research Fellow Nicholas Cook, Nicholas Cook, Anthony Pople, Tim Carter, Cambridge University Press
Categories: Music
Type: BOOK - Published: 2004-08-05 - Publisher: Cambridge University Press

"Music" referred only to the artistic, classical tradition of Western Europe and North America at the beginning of the twentieth century. However, several different traditions emerged by the end of the century. Written by experts in the field, this book surveys how the Western tradition was affected by the development of jazz, popular music, and world music and links the history of music with that of its social contexts.
From Classicism to Modernism
Language: en
Pages: 256
Authors: Brian K. Etter
Categories: Social Science
Type: BOOK - Published: 2019-07-30 - Publisher: Routledge

This title was first published in 2001. The last century has witnessed the ascendancy of the avant-garde in music. From Schoenberg to Boulez to Stockhausen, the avant-garde has defined the modern conception of musical creativity. Contemporary serious music demands the "new" in terms of style, form and ways of listening and hearing. Implicit in this approach is the rejection of the "old", from the baroque to the music of the later 19th-century symphonists. Paradoxically, however, it is this "old" repertoire which contiues to dominate concert programmes. An exploration of this dichotomy lies at the heart of this book. Drawing on a wealth of European philosophical and musical texts, the author examines the origins of the avant-garde and its relation to modernity in tandem with the history of the tonal tradition.
Masters of Modern Music
Language: en
Pages: 256
Authors: Melvin Berger
Categories: Composers
Type: BOOK - Published: 1970 - Publisher:

Brief biographies of fourteen twentieth-century composers, some known for carrying on the romantic traditions of the nineteenth-century and others for promoting popular and modern experimental music.
The Oxford History of Modern Europe
Language: en
Pages: 389
Authors: T. C. W. Blanning
Categories: History
Type: BOOK - Published: 2000 - Publisher:

Written by an international team of leading scholars, The Oxford History of Modern Europe traces Europe's turbulent history, from the beginnings of the Revolution in France to the dawn of two world wars to the breakup of the Soviet Union to today's kaleidoscope of nation-states. The achievements (and failures) of key figures from many arenas--politics, technology, warfare, religion, and the arts among them--are drawn vividly, and social, cultural, and economic insights are included alongside the record of geopolitical strife. We read of the personality cult as exemplified by the Soviet portraits glorifying Lenin; the importance of the nylon stocking in the post-World War II economic boom; the influence of religion as five new nations (Serbia, Montenegro, Bulgaria, Romania, and Albania) emerged between 1871 and 1914--an influence that continues to be both vigorous and deadly; and the confrontation between traditional and modern cultures captured as the railway age began in Russia.
National Myth and the First World War in Modern Popular Music
Language: en
Pages: 303
Authors: Peter Grant
Categories: History
Type: BOOK - Published: 2016-12-09 - Publisher: Springer

This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galás and PJ Harvey.
Music in the Late Twentieth Century
Language: en
Pages: 608
Authors: Richard Taruskin
Categories: Music
Type: BOOK - Published: 2006-08-14 - Publisher: Oxford University Press

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.