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"This Book focuses on the art deco ceramics that were produced by the British pottery industry during the late 1920s and early '30s. It examines the background of art deco and how it developed in France during the early part of the twentieth century and explores how European designers created new shapes and patterns and how these ideas eventually made their way into British design." "An important section of the book is a comprehensive survey of many smaller factories that are not well known today. Information on the products of fifty-five of these manufacturers, many of whom are discussed for the first time in a book, provides invaluable new sources of collecting."--BOOK JACKET.

논문이해와 연구방법론을 다룬 책. 논문의 이해 및 접근방법에 대한 통일체적 개념의 재해석에 대한 저자의 국내외 논문연구 발표사례와 함께 논문의 컨텍스트 형성요인 간의 상관관계, 가시적, 비가시적 문제구조의 이해와 논리성 확보, 검증과정을 체득시키고자 했다.

Although usually associated with the 1920s and the '30s, in fact the Art Deco style had begun to emerge in France prior to the advent of the First World War. But it was during the interwar years that the style, reaching full maturity, was adopted by the international elite as the perfect expression of modern opulence and elegance, and to this day Art Deco designs are redolent of the age of Jazz, cocktails, the Charleston, speakeasies, Hollywood glamour, New York skyscrapers and, above all, style. The '20s was also a period of great technological advances in engineering and transportation, and the perpetual modernity and futuristic aura of Art Deco are evocative of this too. Here, BBC Antiques Roadshow expert Eric Knowles provides a lavishly illustrated guide to this most alluring and timeless of styles.

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.

The Art Deco ceramics produced by prominent British potters and potteries are displayed in over 400 beautiful color photographs. Designs are by famous makers such as Clarice Cliff, Susie Cooper, Beswick, Crown Devon, Myott, Royal Doulton, and Shelley. The text provides brief histories of the makers, an explanation of the origins and development of the Art Deco style, and valuable tips for today's collectors. Values reflect the current antiques market.

The definitive price guide to Clarice Cliff featuring actual prices realised at auction

Books about Design

Books about The British National Bibliography

In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.

Books about Refugees from the Third Reich in Britain

Books about British taste in ceramics

This collection of essays stems from the conference 'Internationalism and the Arts: Anglo-European Cultural Exchange at the Fin de Siècle' held at Magdalene College, Cambridge, in July 2006. The growth of internationalism in Europe at the fin de siècle encouraged confidence in the possibility of peace. A wartorn century later, it is easy to forget such optimism. Flanked by the Franco-Prussian war and the First World War, the late nineteenth and early twentieth centuries were marked by rising militarism. Themes of national consolidation and aggression have become key to any analysis of the period. Yet despite the drive towards political and cultural isolation, transnational networks gathered increasing support. This book examines the role played by artists, writers, musicians and intellectuals in promoting internationalism. It explores the range of individuals, media and movements involved, from cosmopolitan characters such as Walter Sickert and Henri La Fontaine, through internationalist art societies, to periodicals, performance, and the mobility of the Arts and Crafts Movement. The discussion takes in the geographical breadth of Europe, incorporating Belgium, Bohemia, Britain, France, Germany, Hungary, Italy, Norway, Poland, Russia and Slovakia. Drawing on the work of scholars from across Europe and America, the collection makes a statement about the complexity of European identities at the fin de siècle, as well as about the possibilities for interdisciplinary research in our own era.